Prague, Czechoslovakia

You really are the most beautiful thing in my life. The key.

The major lifeline. You are paradise, but you don’t belong

to me. You never did. You belong to someone else. Some

other. This is addressed to two people, and not meant to be

confessional, but it is. Two loves. Two others. One day I

will lose my mother. One day I will lose my father. Be alone in

this world. That will be game, set, match. You’re a paradigm

shift. You’re trig, you’re a trial, you’re a science textbook, whose

chapter on the mind interests me a great deal. There’s nothing

to love, only love itself. That is the only reward. You still

have the Sylvia Plath Effect on me. You go and do your hair.

 

Emerge from the salon with Slavic-cheekbones. The dark hair

you didn’t inherit from our mother, or father. You look as

you feel. Other. Flirt with being European, while the rest of

us look off into our non-European background. I wanted

him to hold me again, but he didn’t. I wanted him to call me,

me, my love, again. But he didn’t. I wanted him to write, but

he never did. He let me go. Like the others he let me go. Like

you, my flesh and bloodline, my gene pool. You too

let me go. I was in a hospital, but you didn’t come and see

 me. I was in Prague. It was surreal. Dadaist. It was a non-

reality, then an ache, then a heartbreak. Like you. I hate you.

 

I hate you. I hate you. Once you were my beloved. I swam

in rivers, then oceans, then not at all. It made me feel exposed.

It made me feel being. Something of Rilke’s letters to a

young poet. You can’t just leave me. And you’re leaving.

You’ve been to the embassy. You’re the curator of your

own life. Your own museum, a genius experimental work-in-progress.

 I can’t forbid it. Forbid you to leave me, and if I let you

go, what will happen to me in the end. I will become a leaf,

and fall to the ground, with no belief. No defying of gravity, the ache

will come with an entire community. It will be made public.

With the sun’s beautiful trauma in my eyes, you walked

 

out on me. They say that I’m unwell. That I have stopped

taking the medication. That I have no desire to live anymore.

No desire to pay attention. I’m just planting a church.

Testing the sea’s waters. The atmosphere of clouds in my

coffee. This is just another season in my life. You have children,

while I have none. One day there will be no one like me. No one

to look after me. No one that looks like me. No more reaching. That

will cease like the seasons. Praying for rain. I see the outside man,

like a tidal wave. It is the inward man that I love the most.

The very tsunami of him, like I love Michelangelo’s David.

ABOUT THE AUTHOR

Abigail George is a Pushcart Prize ("Wash Away My Sins") and Best of the Net ("Secrets") nominated South African blogger (Goodreads, link on Piker Press), essayist (Modern Diplomacy, Ovi Magazine: Finland's English Online Magazine), aspirant filmmaker, activist, playwright, anthologised poet, chapbook, grant, novella, and short story writer (Africanwriter.com, Hackwriters.com), contributing editor at African Writer, editor at Mwanaka Media and Publishing, and the writer of eight books. She has two chapbooks forthcoming in 2020, "Of Smoke and Bloom" (Mwanaka Media and Publishing), and "The Anatomy of Melancholy" (Praxis Magazine). She has been published on many online global platforms. She writes about women.